Find radio, playlist, press and live opportunities, build your catalogue, find the right contacts and prepare outreach you approve.
Muse helps you plan, find people and draft in your voice. Nothing goes out without your approval. Plus sync opportunities for film, TV, games and advertising.
Two fit what you make: a regional new music show that plays unsigned artists, and a festival open call for emerging acts. The radio one is the closest match.
RadioRegional, UK
Northlight FM, new music evening show
IndieElectronicUnsigned artists
JA
Jo AdeyemiSample contact
Producer, new music evening show · Northlight FM
I have drafted a short note to the show's producer in your voice, with “Low Tide” attached. Read it, change anything, and send it only if you want to.
Review draftNothing goes out without your approval.
Illustrative example: the artist, station and people are invented. Inside Synchouse, Muse works from your own tracks, goals and contacts.
Overview
The whole industry. One home screen.
Your catalogue, opportunities, contacts and drafts in one Synchouse account, with Muse to help you decide what to do next.
Cards show sample data
Muse
Who covers downtempo electronic in the UK?
A few new music writers and two playlist curators. Want me to add them to Contacts for you to approve?
Muse, your music assistant. Ask about a release plan, who to approach or what to fix next. Muse finds people and drafts in your voice.
Your catalogue in one place. Upload tracks, add several at once or paste a DISCO or untitled link. Anything imported without audio says so until you add it.
“Strong opening, and the tempo sits right. We have put it forward.” The team's note
Know where your pitches stand. When you pitch to a brief, the Synchouse team decides in plain words and adds a note when they write one. "Selected for consideration" is not a placement.
A sample account inside today's Synchouse: your next move, your catalogue, matched opportunities, contacts, where your pitches stand, and a draft waiting for you.
Unlocking an email costs 1 credit; sending to anyone you have unlocked is free.
Credits are for unlocking contacts' email addresses, not for access to opportunities. You can browse opportunities and use a listing's own submission page at any time. The activity and people above are examples, not anyone's real account.
Contacts
Ask for a person. Unlock the address you need.
Tell Muse who you are looking for: a radio producer, a curator, a booker, a writer, A&R or a supervisor. Review who it finds, approve the ones worth pitching, unlock an address, and Muse drafts the email for you to approve. Finding people is free. Unlocking an email costs 1 credit; sending to anyone you have unlocked is free.
6 people found · radio, playlists, live, press, labels, syncSample contacts1 credit per unlock
Person
Organisation
Email
JA
Jo Adeyemi
Producer, new music evening show
RadioNorthlight FM
j•••••@northlightfm.example
SO
Sam Okafor
Curator
PlaylistsLate Bloom playlists
s•••••@latebloom.example
RP
Rhea Patel
Talent booker, emerging stage
LiveHarbourside Weekender
r•••••@harbourside.example
LM
Leo Marsh
New music writer
PressStatic Weekly
l•••••@staticweekly.example
AD
Ana Duarte
A&R scout
LabelsCopperline Records
a•••••@copperline.example
TG
Theo Grant
Music supervisor
SyncBrightwater Pictures
t•••••@brightwater.example
M
Next. I have drafted an intro to Jo Adeyemi with “Low Tide” attached, written in your voice. Nothing sends until you say so.
Unlocking an email costs 1 credit; sending to anyone you have unlocked is free.Sample credits 40 of 75
The people and organisations here are invented. Inside Synchouse, Muse suggests real people for you to approve, and you see what an unlock costs before you spend anything. Nothing goes out without your approval.
Your goals
Tell us what you want. Home follows it.
When you join, Synchouse asks what you want help with: radio, playlists, live, press, collaboration, contacts, your catalogue, and sync if you want it.
Home leads with the goals you pick, and you can change them whenever your plans change. Sync is there for the artists who want it, never required.
What do you want help with?
Example choices
Radio airplay (chosen in this example)
Playlists (chosen in this example)
Live and festivals (chosen in this example)
Press coverage
Collaboration
Industry contacts
Building my catalogue
Sync for film, TV, games and ads
Pick as many as you like. Change them any time from Home.
Opportunities
Opportunities across your music.
Radio stations, festivals, playlists, competitions and music libraries are matched to your genre and goals. Each one has its own next step: some take submissions through their own page, others Muse can help you pitch. Sync briefs from the Synchouse team sit alongside them for artists who want them.
NFRadio
Northlight FM, new music evening show
Regional, UK
IndieElectronicNew music
Next step: prepare a pitch
Muse drafts it for you to approve. Nothing sends without you.
Example
HWLive and festivals
Harbourside Weekender, emerging artist stage
Coastal festival, UK
IndieAlternative
Next step: open the festival’s form
Applied through the listing’s own submission page.
Example
LBPlaylists
Late Bloom, slow-burn electronic
Independent curator
ElectronicDowntempo
Next step: prepare a pitch
Muse drafts it for you to approve. Nothing sends without you.
Example
WESync brief
Warm electronic cue for a drama
Sync lane, optional
ElectronicUnderscore
Next step: view brief
Pitched from your catalogue; the team decides and writes a note.
Example
These cards are invented examples. Inside Synchouse you see listings matched to your own music, and press runs through Contacts, where you choose the writers and editors to approach.
The sync lane
Sync, when you want it.
When you choose sync as a goal, you get briefs for film, TV, games and advertising, published by the Synchouse team. You pitch a track from your catalogue, a person on the team reviews it, and you see the decision in My activity with their note when they write one.
What a decision means
Shortlisted
Being considered for the next stage. Not a placement.
Selected for consideration
Put forward for the opportunity. The client has not confirmed anything.
Not taken forward
Not this time, with the reason written by the team.
A placement is only confirmed when the client confirms it.
Producers
Make beats? Show them to artists.
Create a free producer profile, upload preview packs, and receive contact requests from artists on Synchouse. No sales, no commission: you agree terms with the artist yourself.
Upload tracks, add several at once, or paste a DISCO or untitled link. Tracks imported without their audio are marked until you add it, and cannot be pitched before then.
02
Muse, your music assistant
Ask about a release plan, who to approach or what to do next. Muse finds people and opportunities and drafts outreach in your voice.
03
Opportunities across music
Radio, festivals, playlists, competitions, workshops and music libraries matched to your genre and goals, plus sync briefs as one lane.
04
Contacts
Ask for a person or a role and review who Muse finds. Finding people is free. Unlocking an email costs 1 credit; sending to anyone you have unlocked is free.
05
Outreach you approve
Every draft waits for you to read, edit and approve. Nothing goes out without your approval.
06
Activity and decisions
See where everything you pitched to a brief stands, with the team’s note when they write one. "Selected for consideration" means put forward, not placed.
07
Members community
A private WhatsApp group for members, open while your membership is active, including during your free trial.
Pricing
One platform. Three ways in.
The plans differ by how many contacts you can unlock each month. Everything else is included in all three.
What you're paying for: A music platform with Muse, your catalogue, contacts search, opportunities across radio, live and playlists, sync briefs for artists who want them, and the members community.
Starter
£10.99/month
For the artist just getting started. Muse, your catalogue, opportunities across music and 20 contact unlocks per month.
Muse, your catalogue and contacts search
20 contact unlocks per month, and hunting is always free
Radio, festival and playlist matches, plus sync briefs
Written notes from the team when your pitches get a decision
3 days free, then £24.99/month. No charge until your trial ends.
Running low? Additional credits are available to purchase inside the platform at any time.
Questions, answered.
Every membership starts with a 3-day free trial. You add a card, you get full access, and we tell you 24 hours before the trial ends. Cancel before then and you pay nothing.
No. Sync is one lane among several. When you join you choose what you are working towards - radio, live, playlists, press, collaboration, sync - and Home leads with those. You can change them any time.
Independent artists, producers and songwriters doing the work themselves: radio, live, playlists, press, collaboration, and sync if they want it. You focus on what matters to you.
No. You're paying for a music platform: Muse, your catalogue, contacts, opportunities and the community. Credits unlock contacts’ email addresses, and sending to someone you have unlocked is free.
No. You pay monthly for the platform. Credits unlock contacts; they are not submission fees.
Completely yours. Synchouse claims no ownership of your music, masters, or publishing. When a track lands a placement, you keep all the rights and negotiate the deal directly.
No. Muse finds people, answers questions and drafts outreach in your voice, and every draft waits for you to read and approve before anything is sent in your name. Finding people costs nothing. Unlocking a contact’s email uses one credit, and you choose which.
If you stay, your first payment happens on day 4 and renews monthly. If you cancel before the trial ends, you are charged nothing at all.
Yes. One click, no email, no exit interview. Your membership runs to the end of the paid period and then stops. We do not charge after that.
For UK artists that usually means PRS for Music for publishing and PPL for recordings. In the US it is ASCAP, BMI or SESAC. The platform works out the right ones for your country during onboarding and links you straight to each registration page. Registration is free and takes minutes.
If you want to pitch it, yes. A pitch needs the audio file and details like BPM and key, which a streaming distributor does not pass on. You can upload files, add several at once, or paste a DISCO or untitled link to bring tracks in; anything that arrives without its audio is marked until you add it.
Membership is billed monthly through Stripe and includes a monthly allowance of contact unlocks. Hunting and sending are free; the allowance is what lets you unlock the emails you want. It refreshes each month, and if you need more you can buy a one-time pack or move up a tier, which is cheaper per unlock.