You make the music. Muse does everything else.
The brief before it closes. The name behind the email. The pitch that sounds like you wrote it. The metadata nobody told you was costing you placements.
Text her at 2am. She'll remember it in March.
3 days free. Then from £10.99 a month. Cancel anytime.
Anything for me this week?
One that is properly yours. A drama underscore brief that wants exactly what Nightdrive does, and I found the person who decides.
Emotional underscore for a BBC drama series
Tom WhitfieldVerified
Music Supervisor · Channel 4
I have a pitch written in your voice. Say the word and it goes to him under your name.
What used to take a manager, a plugger and a spreadsheet now takes one Synchouse account.
Muse
Who should I be pitching Nightdrive to?
Six people worth your time. Starting with A&R, because that is your priority this month.
Your personal music assistant. An AI assistant trained on everything you need for your music career. Career questions, strategy, who to reach, what to fix next. Ask anything.
Sync readiness
64
of 100
Metadata 82 · Depth 48 · Discoverability 61
Know exactly where you stand. A score built on what supervisors actually look for. See your metadata quality, catalogue depth, discoverability, and get a priority action list.
Dark electronic cue for a Channel 4 crime drama
Real briefs from real supervisors. Film, TV, ads, games.
Contacts
Priya Raman
A&R · Sony Music UK
Nadia Fenwick
Head of Music · BBC Radio 1
Tom Whitfield
Music Supervisor · Channel 4
Verified industry connections. Verified emails for the people who place music. Not guessed, verified.
Outreach
Nothing goes out without your approval.
It pitches for you. Tell Muse who to reach. It writes in your voice and sends under your name. Finding people is free; unlocking a verified contact uses one credit.
Catalogue
Get found while you sleep. Tag your tracks right and supervisors searching at 2am still find them.
This is what your dashboard looks like from day one.
Muse pitches your music, finds festivals and radio stations that suit your sound, and identifies exactly what's holding you back. Nothing goes out without your approval.
Your score is 64 and Muse has been busy this week. I've identified three opportunities that match your sound, pitched two of your tracks to supervisors, and found three festivals taking submissions for artists like you. Your metadata still needs work on catalogue depth. Let's add instrumental versions this month.
Emotional underscore for a BBC drama series
Tom WhitfieldVerified
Music Supervisor · Channel 4
Outreach update
Pitched "Nightdrive"
Music supervisor · Channel 4
Pitched "Slow Burn"
Playlist curator · 42k followers
Catalogue shared
Sync agency · London
Nightdrive was opened by a music supervisor at Channel 4 this morning.
Every Synchouse member gets access to Muse, your personal music assistant. Muse finds opportunities, analyses your catalogue, and pitches your music with your approval.
Nothing goes out without your approval. Muse finds, drafts, and prepares. You decide what moves.
Agent activity ● Running
Pitched "Nightdrive"
Music supervisor · Channel 4
Pitched "Slow Burn"
Playlist curator · 42k followers
Catalogue shared
Sync agency · London
Pitched "Nightdrive"
Radio producer · BBC Introducing
Ask for a person. Get a verified email.
Priya Raman
A&R Manager · Sony Music UK
Nadia Fenwick
Head of Music · BBC Radio 1
Marcus Ealing
Head of Programming · Festival Republic
Elena Marsh
Editor, UK & Ireland · Spotify
Credits unlock verified contacts. The more you have, the more people you can reach.
Note: Credits are for verified contacts, not for submission access. You can browse all opportunities and submit manually at any time.
Tell Muse who you need. Radio, festivals, A&R, sync. She finds the person who actually does that job and verifies their email against two sources. Finding people is free. One credit opens a contact.
Person
Organisation
Priya Raman
A&R Manager
Sony Music UKp•••••@sonymusic.com
Nadia Fenwick
Head of Music
BBC Radio 1 & 1Xtran•••••@bbc.co.uk
Marcus Ealing
Head of Programming
Festival Republicm•••••@festivalrepublic.com
Amara Rowntree
Head of Sync
Universal Music Groupa•••••@umusic.com
Tom Whitfield
Music Supervisor, Drama
Channel 4t•••••@channel4.co.uk
Elena Marsh
Editor, UK & Ireland
SpotifyChecking a second source
Next. I have drafted an intro to Priya with Nightdrive attached, written in your voice. Nothing sends until you say so.
Review draftInside Synchouse, every contact is a real person doing the job today. No scraped lists, no guessed addresses. The people shown here are examples. Real contacts are found and verified inside the platform.
Connect your Spotify, Apple Music, and streaming profiles. We tell you exactly what is holding you back.
Join 280+ independent artistsStart free for 3 days.
Answer a short questionnaire about your catalogue, your metadata, your release history and how discoverable you are. You get a Sync Readiness Score out of 100 and a clear action plan to improve it.
No guessing. No generic advice. A score built around your music and your goals.
Month one · when you join
64
of 100
Month three · with Muse
81
of 100
Next action: add instrumental versions for 4 tracks. That is the fastest lift available to you this month.
When you join Synchouse, you connect your Spotify for Artists, Apple Music for Artists, and other streaming profiles. Our platform analyses:
Are your tracks properly tagged, registered, and discoverable by supervisors searching for your sound?
Does your artist presence across every platform tell a consistent, professional story?
Are you releasing consistently enough to stay relevant to algorithms and industry contacts?
Do you have instrumental versions, 30-second edits, and sync-ready formats available?
How easily can your music be found by the people who place it?
You get a score. You get a priority action list. You get a platform that tracks your progress as you improve.
On joining, Synchouse asks you one question: what would you like to improve?
You choose your priorities. Muse is configured around them from day one. Every hunt she runs is directed toward the goals you set, not a generic outreach campaign that ignores what actually matters to you.
What would you like to improve?
Every opportunity on Synchouse comes from a working supervisor placing music in TV, film, advertising, and games. Higher tier members get priority access before opportunities open to the wider community.
Priority280
Active members
300+
Tracks submitted
1M
Monthly impressions
Answer a short readiness questionnaire and get a score out of 100, with a personalised action plan showing exactly what to fix first.
Muse pitches your music automatically, finds festivals and radio stations that suit your sound, and tells you what to do next. Your career, always moving.
Direct access to real briefs from working supervisors. Submit in minutes.
Know why your track landed or did not. Real feedback from the Synchouse team on every submission.
A private space with artists who are as serious about their careers as you are.
Watch your Sync Readiness Score improve as you take action. Know exactly how far you have come.
Credits unlock the verified contacts. You're not paying per pitch or per submission.
What you're paying for: An AI career tool that includes your Sync Readiness Score, a personal AI assistant (Muse), access to real opportunities, detailed feedback, and a private community of serious artists.
£10.99/month
For the artist just getting started. Get your score, access Muse, and explore opportunities. 20 contact unlocks per month.
3 days free, then £10.99/month. No charge until your trial ends.
£19.99/month
For the artist ready to accelerate. Higher automation, detailed feedback, and guided action plans. 75 contact unlocks per month.
3 days free, then £19.99/month. No charge until your trial ends.
£24.99/month
For the artist running at full power. Advanced analysis and priority access to opportunities. 200 contact unlocks per month.
3 days free, then £24.99/month. No charge until your trial ends.
Running low? Additional credits are available to purchase inside the platform at any time. Muse never stops working unless you want it to.
Every membership starts with a 3-day free trial. You add a card, you get full access, and we tell you 24 hours before the trial ends. Cancel before then and you pay nothing.
It is one number telling supervisors how much friction sits between your track and the screen. It counts what is actually there: metadata, deliverables, alternate versions. If something is missing, the score says which thing, and fixing that one thing moves it. Extras that do not apply to you can be marked N/A so they stop counting against you.
Independent artists, producers and songwriters who want to build sustainable music careers. We have opportunities across sync, festivals, radio, playlists, and more. You focus on what matters to you.
No. You're paying for an AI career tool. Opportunities are included as a feature. You can browse all opportunities and submit manually anytime without spending credits.
No. Muse finds opportunities across sync, festivals, radio, playlists, and more. You choose what interests you. You can use Synchouse for any of these goals.
No. You pay monthly for the platform. Credits unlock verified contacts, not submission fees. You always have the option to submit manually.
Completely yours. Synchouse claims no ownership of your music, masters, or publishing. When a track lands a placement, you keep all the rights and negotiate the deal directly.
Muse is the assistant inside Synchouse. Show it a brief and it tells you honestly whether your record fits, then drafts the pitch in your tone and sends it under your name. You approve what goes. Muse hunts for people every week without being asked, and that costs nothing. Credits are only for unlocking a contact’s email, one credit each, and you choose which. Sending to anyone you have unlocked is included.
If you stay, your first payment happens on day 4 and renews monthly. If you cancel before the trial ends, you are charged nothing at all.
Yes. One click, no email, no exit interview. Your membership runs to the end of the paid period and then stops. We do not charge after that.
For UK artists that usually means PRS for Music for publishing and PPL for recordings. In the US it is ASCAP, BMI or SESAC. The platform works out the right ones for your country during onboarding and links you straight to each registration page. Registration is free and takes minutes.
Yes, and it is worth it. Sync needs the files and the metadata in a form a supervisor can actually use, which is not what a streaming distributor holds. Upload once, tag it properly, and your catalogue is searchable by supervisors looking for exactly your sound.
Membership is billed monthly through Stripe and includes a monthly allowance of contact unlocks. Hunting and sending are free; the allowance is what lets you unlock the emails you want. It refreshes each month, and if you need more you can buy a one-time pack or move up a tier, which is cheaper per unlock.